"We've stood up - we've lain down - we've concentrated. We've sat interminably while that tiresome old woman recited extremely unflattering verses at us. We're endured five ""seances ""- we've watched her fling herself in and out of trances until we're dizzy, and at the end of it all we find ourselves exactly where we were at the beginning."Researching for his new novel, Charles Condomine invites the implausible medium Madame Arcati to his house for a seance. Whilst consumed in a trance, Madame Arcati unwittingly summons the ghost of Charles's dead wife, Elvira. Appearing only to Charles, Elvira soon makes a play to reclaim her husband, much to the chagrin of Charles's new wife, Ruth. One husband, two feuding wives and a whisper of mischief in the air - who will win in Coward's unworldly comedy?Written in 1941, "Blithe Spirit" remained the longest-running comedy in the history of the British theatre for three decades thereafter. Dealing with relationships on both sides of the grave, it is an enduring classic.A new edition of Coward's classic play ""published to coincide with the 2014 new West End revival at the Gielgud Theatre, starring Angela Lansberry as Madame Arcati."

Although Noel Coward's work as playwright, songwriter and actor has long been celebrated, his contributions to the British musical have largely been forgotten. Selected Musical Plays by Noel Coward: A Critical Anthology rectifies this omission from the musical theatre landscape, demonstrating how Coward's adaptability, creativity, and myriad of styles is imitated in the incredible musicals he authored. From flop shows at Drury Lane with Mary Martin through to his Broadway hits with Elaine Stritch, this anthology chronicles the variety of styles written by Coward, from revue to musical comedy to operetta. The works in this volume provide a contemporary critical introduction that illustrates the breadth and depth of his work, and highlighting the diverse identities of the collaborators and performers with whom he worked. Though the style of these works varies, they are linked together by his creative thread, and his ability to craft barbed and witty observations of his social world. A timely portrait of Coward's oeuvre and its lasting influence on the wider world of the British musical, Selected Musical Plays by Noel Coward contains previously unpublished musical plays by a central figure in theatre history, collected together with critical apparatus for students, scholars, and fans.

"I will ever be grateful for the almost psychic gift that enabled me to write "Blithe Spirit" in five days during one of the darkest years of the war."-Noel Coward. 

Written in 1941, "Blithe Spirit" remained the longest-running comedy in British Theatre for three decades. Plotted around the central role of one of Coward's best loved characters, a spirit medium Madame Arcati (originally performed by Margaret Rutherford) Coward's play is an escapist comedy about a man whose two previous wives return to haunt him.

Noel Coward's Brief Encounter is remembered as one of the most haunting love stories on screen ever. Drawing on the characteristic wit and musicality of Kneehigh, Emma Rice, former Joint Artistic Director of the Company, has adapted Coward's classic 1945 screenplay, and the one-act play Still Life on which it was based, into a richly theatrical, imaginative and vibrant piece of theatre. From an original idea by David Pugh & Dafydd Rogers, Kneehigh's production received its world premiere in 2008. This edition is published to coincide with the production's run live at the Empire Cinema in London's West End for 2018, co-produced by Steve and Jenny Wiener and The Old Vic. With an updated foreword by Emma Rice. 'Surely the most enchanting work of stagecraft ever inspired by a movie.' Ben Brantley, The New York Times 'Moving, funny, gripping and even at its most inventive, true to the original and its all-English heart' The Times

Coward's 'forgotten' play, published to tie in with its world premiere

In
his wickedly funny final play, NoeI Coward takes us behind the scenes
of a new West End production. Conjuring up an authentic backstage world
of talent and treachery, Coward creates a gallery of unforgettable
characters; temperamental leading lady, ruthless director, jaded old
troupers and, caught somewhere between them all, innocent young
playwright. From tentative first rehearsal to triumphant opening night,
the clash of egos becomes increasingly and hilariously bloody. But what
emerges from the mayhem is a startling evocation of that most elusive
gift of all - star quality.

This edition, adapted by Chris
Luscombe and introduced by Sheridan Morley, is published to coincide
with the play's West End premiere in October 2001.

A rich uncle announces he has a terminal illness and plans to leave his estate to one of his sister's children but under one condition. The family scrambles to accommodate his needs and meet the requirements of the inheritance. Mrs. Dermott is a widow and mother of five adult children-Oliver, Evangeline, Sylvia, Bobbie and Joyce. They live together in a large country house that they can no longer afford. The children are stagnant with no careers or future aspirations. Desperate, Mrs. Dermott turns to her brother Daniel for help. Once he arrives, Uncle Daniel declares he's gravely ill and plans to leave his fortune to one of his sister's children. He will bequeath a lucrative inheritance to the niece or nephew who is able to make the most of their life. In an effort to gain his favor, each child embarks on a different career path becoming successful in their own right. This leads to a startling revelation about Uncle Daniel, his wealth and mysterious illness.I'll Leave It to You is a three-act play that's both clever and entertaining. It's one of Noel Coward's earliest and most memorable works. It was written at age 19 and produced the following year in Manchester and London's West End. With an eye-catching new cover, and professionally typeset manuscript, this edition of I'll Leave It to You is both modern and readable.

Hoping for a quiet weekend in the country with some guests, David Bliss, a novelist and his wife Judith, a retired actress, find that an impossible dream when their high-spirited children Simon and Sorel appear with guests of their own. A housefull of drama waits to be ignited as misunderstandings and tempers flare. With Judith's new flame and David's newest literary 'inspiration' keeping company as the children follow suit, the Bliss family lives up to its name as the 'quiet weekend' comes to a

First published in 1960, Pomp and Circumstance, Coward's only novel, was greeted with wide critical acclaim. 'A South Sea Bubble of a book it is, with a Royal Visit expected on the Island of Samolo, and the narrator, a mother of three, dealing with everything from chicken-pox to the amours of a visiting Duchess' (Daily Telegraph); 'If there is anywhere on earth where the old Coward world still credibly lingers on, it is probably a fairly peaceful tropical colony ruled over by a British Governor General ...Coward's long cast list might have walked out of one of his better comedies' (Evening Standard); 'It is all good, near-clean fun, magnificently readable' (Sunday Times).

At the centre of his own universe sits matinee idol Garry Essendine: suave, hedonistic and too old, says his wife, to be having numerous affairs. His line in harmless, infatuated debutantes is largely tolerated but playing closer to home is not. Just before he escapes on tour to Africa the full extent of his misdemeanours is discovered. And all hell breaks loose. Noel Coward's Present Laughter premiered in the early years of the Second World War just as such privileged lives were threatened with fundamental social change.

One of Coward's best-loved classics in a single-play edition

Coward's wit and precision as a modern dramatist is nowhere better exemplified than in this classic modern plays from 1930. Elyot Chase and Amanda Prynne (originally played by Gertrude Lawrence and Noël Coward), recently divorced from one another five years previously, arrive coincidentally at the same French hotel. They are honeymooning with their respective new spouses. Encountering one another by chance, each is at once horrified and fascinated by the other. Together they leave for Paris and begin a roundelay of quarrels and love intrigues that culminate in their getting back together.

First produced in 1925, "Hay Fever" is technically a masterpiece. A comedy of bad manners which starts with the arrival of four guests, invited independently by different members of the Bliss family for a weekend at their country house near Maidenhead. The promise of an idyllic and peaceful weekend is quickly trounced by the self-absorbed eccentricities of the family who leave the guests to slink away humiliated, embarrassed and abandoned.

""It does not date… it is in the highest mood of fantastic comedy, it is deliciously heartless and therefore delicioiusly alive and fresh" "The Times

Coward Plays: 9 offers up a fascinating selection of Noel Coward's lesser-known works. Salute to the Brave/Time Remembered (1940) follows Leila Heseldyne after she has fled to America, leaving a war-torn Britain and her husband behind; Long Island Sound(1947) sees a writer coerced into a riotous flock of high flying society people with turbulent results; and Volcano (1957) depicts a volcanic eruption as it punctuates the dubious conduct of six individuals on a fictional South Sea island. This volume also includes Design for Rehearsing (1933) was Coward's private satire on the way he , Alfred Lunt and Lynn Fontanne worked on Design for Living. Age Cannot Wither (1967), Coward's last and unfinished play completes the collection as it portrays the boozy reunion of three women in their sixties, who meet without fail every year to reminisce. Together, these works offer a new and intriguing insight into Coward the playwright and his oeuvre that extends well beyond his most well-known works such as Private Lives, Blithe Spirit and Hay Fever. The volume is introduced by Coward expert and scholar Barry Day.

At the centre of his own universe sits matinee idol Garry Essendine: suave, hedonistic and too old, says his wife, to be having numerous affairs. His line in harmless, infatuated debutantes is largely tolerated but playing closer to home is not. Just before he escapes on tour to Africa the full extent of his misdemeanours is discovered. And all hell breaks loose. Noel Cowards Present Laughter premiered in the early years of the Second World War just as such privileged lives were threatened with fundamental social change.

First produced in 1925, "Hay Fever" is technically a masterpiece. A comedy of bad manners which starts with the arrival of four guests, invited independently by different members of the Bliss family for a weekend at their country house near Maidenhead. The promise of an idyllic and peaceful weekend is quickly trounced by the self-absorbed eccentricities of the family who leave the guests to slink away humiliated, embarrassed and abandoned.

""It does not date… it is in the highest mood of fantastic comedy, it is deliciously heartless and therefore delicioiusly alive and fresh" "The Times

This collection brings together three of Coward's most important screenplays - In Which We Serve (1942), Brief Encounter (1945) and The Astonished Heart (1950). The collection features the shooting scripts for each film alongside contextual notes for each play, and a general introduction, by Barry Day. In Which We Serve earned Coward an Academy Honorary Award in 1943 as well as the New York Film Critics Circle Award for Best Film. The film remains a classic of wartime British cinema. Brief Encounter, the most famous screenplay in this collection, is based on Coward's 1936 one-act play Still Life. It remains one of the greatest love stories of all time, coming second in a British Film Institute poll of the top 100 British films. The Astonished Heart tells the story of a psychiatrist's growing obsession for a good-time girl and the resulting tragedy this leads to. This collection features a foreword by Laurence Kardish, Senior Curator Emeritus, Film, at New York's MoMA, and an eight-page black and white plate section of production stills.

This is a new release of the original 1933 edition.

The No l Coward musical, Sail Away, tells the story of a romantic love-affair aboard a cruise ship, with all the classic wit and charm of Broadway's golden era. Recent divorcee Mimi Paragon (a role originated by Elaine Stritch) is stuck serving tourists as one of the ship's hostesses when she is drawn to the much younger and strikingly handsome Johnny Van Mier. Complicating their relationship is a host of eccentric and hilarious cruise ship characters-from cynical and quirky Sweeney coup

This is a new release of the original 1930 edition.